Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... song is none other than appearance ( rong ) ” and that " various segments of the three song or hymns are all appearances dance , and are therefore called song . Like musical plays after the Yuan , its songs , its dance , and its ...
... song's relationship to dance . Liang Qichao contends that " song is dance music or drama script . ” 17 Chow Tse - tsung traces song to a particular ritualistic weng dance.18 In dis- cussing the origins of Chinese poetry and drama ...
... Songs of the Chu , with Sup- plements and Annotations ) ( SBBY edn . ) , 2.1b - 2a . 16. “ Shi song " ( An Explanation of Song ) , Yanjingshi yiji - # ( A Collection from the Yanjing Studio ) ( SBCK edn . ) , 1.13 . 17. Liang Qichao ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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