Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
من داخل الكتاب
النتائج 1-3 من 14
... never expected that music could be brought to perfection like this . ” 71 子在齊聞韶。三月不知肉味。曰。不圖為樂之至於斯也。 Nowhere else in Analects is Confucius overwhelmed with joy or sad- ness , admiration or disgust to such a great ...
... never ceased to be ad- mired , practiced , and perfected by Chinese calligraphers and art con- noisseurs . " A Song for the Stone Drum " ( " Shi gu ge " ) , a poem written by Han Yu # ( 768-824 ) to praise the inscriptions on a Zhou ...
... never- theless advances the idea of a deconstructive kinesis when he stresses that one " communes with the spirit in between existence and nonex- istence " in such a way that " one never gets trapped by what is deter- minable . " 97 By ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
حقوق النشر | |
9 من الأقسام الأخرى غير ظاهرة