Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... passage occurs at the very end and strikes us as an unimportant afterthought , 46 here it constitutes the cornerstone of his argument for the elevation of poetic verbalization over music and dance . A comparison of this passage with the ...
... passage to be a moral- aesthetic rather than a pure moral judgment . This is the appropriate way to interpret the passage as it is in keeping with the typical fusion of morality and aesthetics in Analects . For Confucius as for Plato ...
... passage cited earlier . Now , let us take a look at Zhuang Zi's parable and assess its influence on Liu : Cook Ding was cutting up an ox for Lord Wenhui . At every touch of his hand , every heave of his shoulder , every move of his feet ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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