Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... play of signifiers inside them . By analyzing this play of différance , he shows that the transcendental self- presence invested in all those terms is nothing but illusion . In decon- structing these terms , Derrida also seeks to ...
... play by wu and gu is no longer the kind of living divinities invoked in the " Canon of Yao , " but the numinous power of the Dao . Similarly , wu and gu themselves are no longer an actual sacrificial dance and its principal in- strument ...
... play of deconstructions , and still less would they compare their deconstructive enterprise to a fruitless ... play , and first to enter into the play of différance .... " 106 However , it would be wrong to think that Derrida delights in ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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