Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... thought . ” In the process of literary thinking , the spirit goes afar . As one silently reaches the state of mental concentration , his thought may trace back one thousand years . As one shows the slightest move- ment in countenance ...
... thought at large . The first characteristic is that the influence of Buddhist worldviews is quite conspicuous in the discussion of partic- ular critical issues . In Wenxin diaolong and many later texts , a great many Buddhist ideas ...
... Thought ( Albany : State Univ . of New York Press , 1994 ) , pp . 35–95 , John Makeham discusses Confu- cius ' view on the language - reality relationship and reviews other Con- fucian and non - Confucian theories of naming . 100. Lunyu ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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