School Elocution: A Manual of Vocal Training in High Schools, Normal Schools, and AcademiesAmerican book Company, 1884 - 390 من الصفحات |
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الصفحة 78
... fifth , and eighth notes in the musical scale , including the semi- tones , or chromatic notes , of the minor second , third , fifth , and eighth notes . " 6 3. The " second " and " third " are classed as the un- emotional slides , as ...
... fifth , and eighth notes in the musical scale , including the semi- tones , or chromatic notes , of the minor second , third , fifth , and eighth notes . " 6 3. The " second " and " third " are classed as the un- emotional slides , as ...
الصفحة 79
... fifth and octave , for interrogatives , not of wisdom but of envious curiosity ; the downward third , fifth , and octave , for dog- matic or tyrannical command ; waves for the surprise of ignorance , the snarling of ill - humor , and ...
... fifth and octave , for interrogatives , not of wisdom but of envious curiosity ; the downward third , fifth , and octave , for dog- matic or tyrannical command ; waves for the surprise of ignorance , the snarling of ill - humor , and ...
الصفحة 80
... fifth and the eighth , which are the slides of emotion and passion . VIII . INFLECTION DRILL ON THE THIRD . 1. Count , with moderate force and emphasis , from one to twenty with the rising third , thus : óne , two , thrée , etc. 2 ...
... fifth and the eighth , which are the slides of emotion and passion . VIII . INFLECTION DRILL ON THE THIRD . 1. Count , with moderate force and emphasis , from one to twenty with the rising third , thus : óne , two , thrée , etc. 2 ...
الصفحة 81
... FIFTH AND THE EIGHTH . 1. The slide of the fifth corresponds to the interval between C and G , or Do and Sol , and the slide of the eighth , or the octave , to the interval between C and C , or Do and Do. 2. When the voice rises through ...
... FIFTH AND THE EIGHTH . 1. The slide of the fifth corresponds to the interval between C and G , or Do and Sol , and the slide of the eighth , or the octave , to the interval between C and C , or Do and Do. 2. When the voice rises through ...
الصفحة 82
... [ Fifth and Eighth . - Strong Emphasis . ] 4. Hates any man the thing he would not kill ? 5. What ! wouldst thou have a serpent sting thee twice ? 6. And dar'st thou then To beard the lion in his den , The Douglas in his hall ? SCHOOL ...
... [ Fifth and Eighth . - Strong Emphasis . ] 4. Hates any man the thing he would not kill ? 5. What ! wouldst thou have a serpent sting thee twice ? 6. And dar'st thou then To beard the lion in his den , The Douglas in his hall ? SCHOOL ...
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عبارات ومصطلحات مألوفة
ASPIRATES Babie Bell bells blow breath CHAMBERED NAUTILUS Charco circumflex clauses concert drill dark dead deep earth elocution emotion emphasis emphatic EXAMPLES expression eyes falling inflection Falstaff feeling fire give hand hath hear heart heathen Chinee heaven high pitch honor Iago liberty living long vocals LONGFELLOW loud force low pitch macron Marked median stress melody middle pitch moderate force monotone never night o'er óne oratorical declamation orotund Othello passion poetry pronunciation pupils pure tone radical stress reader reading Repeat rhetorical pause rhyme Ring rising inflection round Rule Scrooge SEMITONE sentence short shout slide slow movement soft force solemn soul speak SUBVOCALS sweet syllables táct tálent teacher tell thee thou thought thunderstrike tion unaccented unimpassioned utterance vocal voice vowel sounds wave whisper William Cullen Bryant wind WORDS OFTEN MISPRONOUNCED