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There groups of merry children played,
There youths and maidens dreaming strayed;
O precious hours! O golden prime,°
And affluence° of love and time!
Even as a miser counts his gold,

Those hours the ancient timepiece told,°
"Forever never!

Never forever!"

From that chamber, clothed in white,
The bride came forth on her wedding night;
There, in that silent room below,

The dead lay in his shroud of snow;
And in the hush that followed the prayer,
Was heard the old clock on the stair, —
"Forever never!

Never forever!"

All are scattered now and fled,
Some are married, some are dead;
And when I ask, with throbs of pain,
"Ah! when shall they all meet again?"
As in the days long since gone by,
The ancient timepiece makes reply,
"Forever never!

Never forever!"

Never here, forever there,

Where all parting, pain, and care,
And death, and time shall disappear,
Forever there, but never here!

The horologe of Eternity

Sayeth this incessantly,°

"Forever never!

Never forever!"

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affluence (ǎf' loo ĕns), riches

antique 1 (ăn tēk), old

stopping

portico (pōr' ti kō), porch

country-seat,1 a fine dwelling in the prime 6 (prīm), best time

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1. Read aloud the lines that picture the house, without and within. Which expressions describe the old clock? 2. What does the clock's ticking suggest to the poet? Read the stanzas to bring out the refrain. 3. Give the chief thought of each stanza. 4. Explain crosses himself," "2 "swift vicissitude," 4 "free-hearted Hospitality," 5 and "horologe of Eternity." 9

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5. What events are most important in a family's history? Why? 6. What piece of furniture does your family prize most? Why? 7. Why should you like to visit the home described in this poem? 8. How can boys and girls help to make home-life pleasant?

9. Read aloud "The Children's Hour" and Riley's "Old Aunt Mary's" (Riverside Readers IV and V), or Payne's "Home, Sweet Home." 10. Oral or written composition: (a) The Prettiest Clock I ever Saw; (b) The Oldest House in Our Town.

RAIN IN SUMMER

HENRY WADSWORTH LONGFELLOW

Rain, rain, go away!

Come again another day!

That is what girls and boys have often wished when a downpour spoiled a picnic!

But listen to what the Poet says about rain. He pictures it as a misty figure called Aquarius, striding through the clouds and scattering showers on the earth below. He sees the raindrops form a rainbow opposite the setting sun. Like the seer See-er of visions - he follows this wonderful journey of the rain down to earth where it is absorbed by springs and lakes and ocean, and then is drawn up again by the sun's rays into the clouds, later to fall to the earth once more as welcome rain.

This succession from heaven to earth, and back again, makes the Poet think of birth and death. From heaven the baby soul comes, on earth it lives, and back to heaven it goes at death. Like the raindrop it has made the "perpetual round of strange mysterious change." You had not dreamed that there was so much to think of in a little fall of rain? One thing the Poet teaches you is to look beyond things to their real meanings.

Now, try to see the pictures, as your teacher reads:

How beautiful is the rain!

After the dust and heat,
In the broad and fiery street,
In the narrow lane,.

How beautiful is the rain!

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How it clatters along the roofs,

Like the tramp of hoofs!

How it gushes and struggles out

From the throat of the overflowing spout!

Across the window pane

It pours and pours;

And swift and wide,

With a muddy tide,

Like a river down the gutter roars

The rain, the welcome rain!

The sick man from his chamber looks

At the twisted brooks;

He can feel the cool

Breath of each little pool;

His fevered brain

Grows calm again,

And he breathes a blessing on the rain.

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From the neighboring school

Come the boys,

With more than their wonted° noise

And commotion;

And down the wet streets

Sail their mimic fleets,
Till the treacherous pool
Engulfs them in its whirling
And turbulent ocean.

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In the country, on every side,
Where far and wide,

Like a leopard's tawny and spotted hide,
Stretches the plain,

To the dry grass and the drier grain,
How welcome is the rain!

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In the furrowed° land

The toilsome and patient oxen stand;
Lifting the yoke-encumbered head,
With their dilated° nostrils spread,
They silently inhale

The clover-scented gale,

And the vapors that arise

From the well-watered and smoking soil.

For this rest in the furrow after toil

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That have not yet been wholly told,
Have not been wholly sung or said.

For his thought, that never stops,
Follows the water drops

Down to the graves of the dead,

Down through chasms and gulfs profound,

To the dreary fountain head

Of lakes and rivers under ground;

And sees them, when the rain is done,

On the bridge of colors seven

Climbing up once more to heaven,

Opposite the setting sun.

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