MADAME DE STAEL.

JACQUES NECKER, born of Protestant parents at Geneva, was sent, at the age of fifteen, to seek his fortune at Paris. After serving as a clerk in the banking-house of Vernet, he passed into that of the eminent banker Thelusson, where he displayed such a capacity for business, as to lead to his admission into the house as a partner. In a few years he acquired a large fortune, and withdrew from active business, but remained at Paris as minister of the republic of Geneva to the French court. His "Eloge de Colbert," which gained the prize in the French Academy in 1773, and his essay on the corn laws, first drew towards him the attention of the public, which finally settled upon him as the only person capable of preserving the country from that bankruptcy upon the verge of which it was standing; and Louis XVI., notwithstanding his religious bigotry, was compelled to appoint Necker to the office of director-general of the finances, in 1785, being the first Protestant who had held office since the revocation of the edict of Nantes.

There resided with Madame Thelusson, as companion, a Swiss lady, named Curchod, the same who had the fortune to excite in the bosom of the historian

Gibbon, for the first and last time, the passion of love. There is, however, no undue praise in the following description which he has given of her: "The personal attractions of Mdlle. Curchod were embellished by the virtues and talents of her mind. Her fortune was humble, but her family was respectable. Her mother, a native of France, had preferred her religion to her country. Her father, with the moderation of a philosopher, was content with a small salary and laborious duty in the obscure lot of minister of Cressy, a small village in the mountains of Switzerland. He bestowed a liberal and even learned education on his only daughter. She surpassed his hopes by her proficiency in the sciences and languages; and in her short visits to Lausanne, the wit, the beauty, and the learning, of Mademoiselle Curchod were the theme of universal applause. The report of such a prodigy awakened my curiosity; I saw and loved. I found her learned without pedantry, witty in conversation, pure in sentiment, and elegant in manners. After the death of her father, she supported herself and her mother by teaching young ladies at Geneva; from whence she removed to Paris.

The character of Necker gained her admiration, her respect, and her love. She married him; and, from that time, the great business of her life was to make him happy. To divert him after the cares of business, she sought to make her house agreeable. She had not the light and gay manners of a Parisian lady, but she had a native grace and sweetness, and a solidity of talent, which caused her society to be sought for by the learned and intelligent, and her drawing-rooms to be filled with the beaux esprits of Paris.

Her only daughter, Anne Louisa Germaine, born in 1766, became her next object of solicitude. She wished that her education should be perfect; she wished her to know every thing, and thought that her mind could not be stored with too many words and facts; she introduced her, even in infancy, to the brilliant circle of her own friends, and learned men were almost her only companions. It was therefore with a transport of delight that the child received, at the age of eleven, a young girl, whom her mother wished her to make her companion, and who afterwards described her thus: "She spoke with a warmth and facility which were already eloquent, and which made a great impression on me. We did not play like children. She at once asked me what my lessons were, if I knew any foreign languages, and if I went often to the play. When I said, I had only been three or four times, she exclaimed, and promised that we should often go together, and, when we came home, write down an account of the piece. It was her habit, she said; and, in short, we were to write to each other every day. We entered the drawing-room. Near the arm-chair of Madame Necker was the stool of her daughter, who was obliged to sit very upright. As soon as she had taken her accustomed place, three or four old gentlemen came up, and spoke to her with the utmost kindness. One of them, in a little round wig, took her hands in his, held them a long time, and entered into conversation with her, as if she had been twenty. This was the Abbé Raynal; the others were Messrs. Marmontel, Thomas, the Marquis de Pesay, and Baron de Grimm. We sat down at table. It was a picture to

see how Mademoiselle Necker listened. She did not speak herself; but so animated was her face, that she appeared to converse with all. Her eyes followed the looks and movements of those who talked; it seemed as if she grasped their ideas before they were expressed. She entered into every subject, even politics, which at this epoch was one of the most engrossing topics. After dinner, a good deal of company arrived. Each guest, as he approached Madame Necker, addressed her daughter with some compliment or pleasantry; she replied to all with ease and grace. They delighted to attack and embarrass her, and to excite her childish imagination, which was already brilliant. The cleverest men were those who took the greatest pleasure in making her talk." When she was not in society, she was kept constantly at her books. She wrote a great deal, and her writings were read in public and applauded. This system of education had its natural results. Praise, and reputation, and success in society, became as necessary to her as her daily food: her understanding, brilliant, but not profound, gathered knowledge by cursory reading and from conversationnot by hard study; hence it was superficial.

Her physical strength could not endure this constant straining and excitement of the mind. At fourteen, her physicians ordered that she should be removed to the country, and should give up all study. Madame Necker was deeply disappointed: unable to carry her system of education to the fullest extent, she abandoned it altogether; henceforth she took little interest in the talents of her daughter, and, when she heard her praised, would say, "O, it is nothing, absolutely nothing,

in comparison to what I intended to make her." This carelessness on the part of her mother, developed in the young girl an ardent affection for her father, which she dwells upon in her writings with so much fervor. There existed between them the most unreserved and open communication of thought. He delighted in her talents, which she exerted for his entertainment, and to amuse his hours of leisure. Her superior success in this last particular even excited the jealousy of her mother, who sought by reproof to check the outpouring of her wit and imagination. Mademoiselle listened with respect to the reproof, but took the first opportunity to escape from her mother's side, and shelter herself behind her father's chair, where she soon collected the cleverest men in the room to listen to her sallies, and to be charmed by her eloquence.

As has already been said, her career of authorship began at a very early age. When a little older, she composed tales and plays, which were received with rapturous applause by the company to which, in accordance with French custom, they were read; but which in print appear flat enough. At the age of

fifteen, she made her appearance before the great public as the author of an anonymous political pamphlet in defence of an act of her father's, which had excited a great clamor on the part of the ultra-royalists, and was the cause of his resignation of office.

The position which her father held in France, during her early years, exercised a very important influence on the character and feelings of Mademoiselle Necker. Despised as a plebeian and detested as a reformer by