Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 196
... Hamlet should not be acted , but how much Hamlet is made another thing by being acted . I have heard much of the wonders which Garrick performed in this part ; but as I never saw him , I must have leave to doubt whether the ...
... Hamlet should not be acted , but how much Hamlet is made another thing by being acted . I have heard much of the wonders which Garrick performed in this part ; but as I never saw him , I must have leave to doubt whether the ...
الصفحة 263
... Hamlet , who all the play seems reason itself , should be impelled , at last , by mere accident to effect his object . I have a smack of Hamlet myself , if I may say so . A maxim is a conclusion upon observation of matters of fact , and ...
... Hamlet , who all the play seems reason itself , should be impelled , at last , by mere accident to effect his object . I have a smack of Hamlet myself , if I may say so . A maxim is a conclusion upon observation of matters of fact , and ...
الصفحة 263
... Hamlet , who all the play seems reason itself , should be impelled , at last , by mere accident to effect his object . I have a smack of Hamlet myself , if I may say so . A maxim is a conclusion upon observation of matters of fact , and ...
... Hamlet , who all the play seems reason itself , should be impelled , at last , by mere accident to effect his object . I have a smack of Hamlet myself , if I may say so . A maxim is a conclusion upon observation of matters of fact , and ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers