Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة ix
... common mistake of assuming that the changes in the modes of wit were re- finements . " The wit of the last age ' , said Dryden , ' was yet more incorrect than their language . ' Of Shake- speare , who had not neglected the taste of his ...
... common mistake of assuming that the changes in the modes of wit were re- finements . " The wit of the last age ' , said Dryden , ' was yet more incorrect than their language . ' Of Shake- speare , who had not neglected the taste of his ...
الصفحة 81
... common conversation , and common occurrences . Upon every other stage the universal agent is love , by whose power all good and evil is distributed , and every action quickened or retarded . To bring a lover , a lady and a rival into ...
... common conversation , and common occurrences . Upon every other stage the universal agent is love , by whose power all good and evil is distributed , and every action quickened or retarded . To bring a lover , a lady and a rival into ...
الصفحة 107
... common use makes it more proper to gain attention , and more fit for action and dialogue . Such verse we make when we are writing prose ; we make such verse in common con- versation . I know not whether this praise is rigorously just ...
... common use makes it more proper to gain attention , and more fit for action and dialogue . Such verse we make when we are writing prose ; we make such verse in common con- versation . I know not whether this praise is rigorously just ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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عبارات ومصطلحات مألوفة
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers