Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 95
... imitations of successive actions , and why may not the second imitation represent an action that happened years after the first ; if it be so connected with it , that nothing but time can be supposed to inter- vene . Time is , of all ...
... imitations of successive actions , and why may not the second imitation represent an action that happened years after the first ; if it be so connected with it , that nothing but time can be supposed to inter- vene . Time is , of all ...
الصفحة 150
... imitation is very different from that of description , and far superior.1 in a No writer has hitherto appeared who possesses more eminent degree than Shakespeare , the power of imitating the passions . All of them seem familiar to him ...
... imitation is very different from that of description , and far superior.1 in a No writer has hitherto appeared who possesses more eminent degree than Shakespeare , the power of imitating the passions . All of them seem familiar to him ...
الصفحة 230
... imitation , or , more accurately , a blind copying of effects , instead of a true imitation of the essential principles ? -Imagine not that I am about to oppose genius to rules . No ! the comparative value of these rules is the very ...
... imitation , or , more accurately , a blind copying of effects , instead of a true imitation of the essential principles ? -Imagine not that I am about to oppose genius to rules . No ! the comparative value of these rules is the very ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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عبارات ومصطلحات مألوفة
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers