Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة xx
... impression derived from the drama , and in the drama , as Morgann said , ' the impression is the fact ' . It is a supreme testimony to Shakespeare that the life which he gave to his characters should be treated as if it carried them ...
... impression derived from the drama , and in the drama , as Morgann said , ' the impression is the fact ' . It is a supreme testimony to Shakespeare that the life which he gave to his characters should be treated as if it carried them ...
الصفحة 181
... Impressions , or produced certain effects , of which he has thought fit to conceal or obscure the cause ? How he has ... Impression then , it was , at all adventures , necessary to with - hold ; which could not perhaps well be without ...
... Impressions , or produced certain effects , of which he has thought fit to conceal or obscure the cause ? How he has ... Impression then , it was , at all adventures , necessary to with - hold ; which could not perhaps well be without ...
الصفحة 183
... Impression on their Feelings ( in which all Dramatic truth consists ) being already , as I have supposed , in favour of the charac- ter . In the pursuit of this subject I have taken the general Impression of the whole character pretty ...
... Impression on their Feelings ( in which all Dramatic truth consists ) being already , as I have supposed , in favour of the charac- ter . In the pursuit of this subject I have taken the general Impression of the whole character pretty ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers