Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 48
الصفحة 150
... less on the state of our own minds , than on the intrinsic excellence of the performance . It is also obvious , that ... less than the gentle ; the benign no less than the malignant . There are several writers , as there are many players ...
... less on the state of our own minds , than on the intrinsic excellence of the performance . It is also obvious , that ... less than the gentle ; the benign no less than the malignant . There are several writers , as there are many players ...
الصفحة 165
... less of what may be called mellowness or good humour , or less of health and spirit ; if he had spurred and rode the world with his wit , instead of suffering the world , boys and all , to ride THE CHARACTER OF FALSTAFF 165.
... less of what may be called mellowness or good humour , or less of health and spirit ; if he had spurred and rode the world with his wit , instead of suffering the world , boys and all , to ride THE CHARACTER OF FALSTAFF 165.
الصفحة 283
... less natural , and less of every day's occurrence . We have not the same degree of sympathy with the passions de- scribed in Macbeth . The interest in Hamlet is more re- mote and reflex . That of OTHELLO is at once equally profound and ...
... less natural , and less of every day's occurrence . We have not the same degree of sympathy with the passions de- scribed in Macbeth . The interest in Hamlet is more re- mote and reflex . That of OTHELLO is at once equally profound and ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
12 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers