Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 110
... passages which appeared to me likely to obstruct the greater number of readers , and thought it my duty to facilitate their passage . It is impossible for an expositor not to write too little for some , and too much for others . He can ...
... passages which appeared to me likely to obstruct the greater number of readers , and thought it my duty to facilitate their passage . It is impossible for an expositor not to write too little for some , and too much for others . He can ...
الصفحة 113
... passage appeared inextricably perplexed , have en- deavoured to discover how it may be recalled to sense , with least violence . But my first labour is , always to turn the old text on every side , and if there be any interstice ...
... passage appeared inextricably perplexed , have en- deavoured to discover how it may be recalled to sense , with least violence . But my first labour is , always to turn the old text on every side , and if there be any interstice ...
الصفحة 169
... passage will I spare from which any thing can be inferred as relative to this point . It would be as vain as injudicious to attempt concealment : How could I escape detection ? The Play is in every one's memory , and a single passage ...
... passage will I spare from which any thing can be inferred as relative to this point . It would be as vain as injudicious to attempt concealment : How could I escape detection ? The Play is in every one's memory , and a single passage ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers