Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 77
... present age refuses , and flatter themselves that the regard which is yet denied by envy , will be at last bestowed by time . Antiquity , like every other quality that attracts the notice of mankind , has undoubtedly votaries that reve ...
... present age refuses , and flatter themselves that the regard which is yet denied by envy , will be at last bestowed by time . Antiquity , like every other quality that attracts the notice of mankind , has undoubtedly votaries that reve ...
الصفحة 109
... present popularity and present profit . When his plays had been acted , his hope was at an end ; he solicited no addition of honour from the reader . He therefore made no scruple to repeat the same jests in many dialogues , or to ...
... present popularity and present profit . When his plays had been acted , his hope was at an end ; he solicited no addition of honour from the reader . He therefore made no scruple to repeat the same jests in many dialogues , or to ...
الصفحة 283
... present a range and variety of character as striking and palpable as that produced by the opposition of costume in a picture . Their distinguishing qualities stand out to the mind's eye , so that even when we are not thinking of their ...
... present a range and variety of character as striking and palpable as that produced by the opposition of costume in a picture . Their distinguishing qualities stand out to the mind's eye , so that even when we are not thinking of their ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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عبارات ومصطلحات مألوفة
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers