Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 34
... Qualities which are attributed to him in any Account of his Reign . If his Faults are not shewn in an equal degree , and the Shades in this Picture do not bear a just Proportion to the Lights , it is not that the Artist wanted either ...
... Qualities which are attributed to him in any Account of his Reign . If his Faults are not shewn in an equal degree , and the Shades in this Picture do not bear a just Proportion to the Lights , it is not that the Artist wanted either ...
الصفحة 177
... qualities con- sidered as abstracted from any subject whatever ? The mind can- not steadily contemplate such an abstraction : What then does it do ? -Invent or imagine a subject in order to support these qualities ; and hence we get the ...
... qualities con- sidered as abstracted from any subject whatever ? The mind can- not steadily contemplate such an abstraction : What then does it do ? -Invent or imagine a subject in order to support these qualities ; and hence we get the ...
الصفحة 181
... qualities in the same man , and not by their agreement or conformity , would never have attempted to raise mirth by shewing us Cowardice in a Coward unattended by Pretence , and softened by every excuse of age , corpulence , and in ...
... qualities in the same man , and not by their agreement or conformity , would never have attempted to raise mirth by shewing us Cowardice in a Coward unattended by Pretence , and softened by every excuse of age , corpulence , and in ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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عبارات ومصطلحات مألوفة
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers