Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 163
... reader will not need to be told that this Inquiry will resolve itself of course into a Critique on the genius , the arts , and the conduct of Shakespeare : For what is Falstaff , what Lear , what Hamlet , or Othello , but different ...
... reader will not need to be told that this Inquiry will resolve itself of course into a Critique on the genius , the arts , and the conduct of Shakespeare : For what is Falstaff , what Lear , what Hamlet , or Othello , but different ...
الصفحة 183
... reader a moment in order to apprize him of my further inten- tion ; without which , I might hazard that good under- standing , which I hope has hitherto been preserved between us . I have ' till now looked only to the Courage of ...
... reader a moment in order to apprize him of my further inten- tion ; without which , I might hazard that good under- standing , which I hope has hitherto been preserved between us . I have ' till now looked only to the Courage of ...
الصفحة 335
... reader's attention . If the reader has ever witnessed a wife , daughter , or sister in a fainting fit , he may chance to have observed that the most affecting moment in such a spectacle is that in which a sigh and a stirring announce ...
... reader's attention . If the reader has ever witnessed a wife , daughter , or sister in a fainting fit , he may chance to have observed that the most affecting moment in such a spectacle is that in which a sigh and a stirring announce ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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عبارات ومصطلحات مألوفة
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers