Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 95
... represented , the real and poetical duration is the same . If , in the first act , preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented , in the ...
... represented , the real and poetical duration is the same . If , in the first act , preparations for war against Mithridates are represented to be made in Rome , the event of the war may , without absurdity , be represented , in the ...
الصفحة 126
... represented by him , agree in nothing but their fortunes . The periods of history , from which the subjects are taken , are such as at the best can be depended on only for some principal facts ; but not for the minute detail , by which ...
... represented by him , agree in nothing but their fortunes . The periods of history , from which the subjects are taken , are such as at the best can be depended on only for some principal facts ; but not for the minute detail , by which ...
الصفحة 216
... represented the animal impulse itself , so as to preclude all sympathy with it , by dissipating the reader's notice among the thousand outward images , and now beautiful , now fanciful circumstances , which form its dresses and its ...
... represented the animal impulse itself , so as to preclude all sympathy with it , by dissipating the reader's notice among the thousand outward images , and now beautiful , now fanciful circumstances , which form its dresses and its ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers