Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 164
... seem unnecessary for him to acquire any other virtue . Hence , perhaps , his continued debaucheries and dissipations of every kind . — He seems , by nature , to have had a mind free or malice or any evil principle ; but he never took ...
... seem unnecessary for him to acquire any other virtue . Hence , perhaps , his continued debaucheries and dissipations of every kind . — He seems , by nature , to have had a mind free or malice or any evil principle ; but he never took ...
الصفحة 204
... seems real and is exclusively attended to , the crime is compara- tively nothing . But when we see these things repre- sented , the acts which they do are comparatively every thing , their impulses nothing . The state of sublime tion ...
... seems real and is exclusively attended to , the crime is compara- tively nothing . But when we see these things repre- sented , the acts which they do are comparatively every thing , their impulses nothing . The state of sublime tion ...
الصفحة 365
... seems to me a heedless notion , our common one , that he sat like a bird on the bough ; and sang forth , free and off hand , never knowing the troubles of other men . Not so ; with no man is it so . How could a man travel forward from ...
... seems to me a heedless notion , our common one , that he sat like a bird on the bough ; and sang forth , free and off hand , never knowing the troubles of other men . Not so ; with no man is it so . How could a man travel forward from ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers