Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 70
... sentiments tolerably well adapted to a plain passion : but we must not , in any of them , expect a sentiment expressive of character ; and , upon that very account , our late performances of the dramatic kind are for the most part ...
... sentiments tolerably well adapted to a plain passion : but we must not , in any of them , expect a sentiment expressive of character ; and , upon that very account , our late performances of the dramatic kind are for the most part ...
الصفحة 71
... sentiments that proceed from various tones of passion , or in expressing properly every different sentiment : he disgusts not his reader with general declamation and unmeaning words , too com- mon in other writers : his sentiments are ...
... sentiments that proceed from various tones of passion , or in expressing properly every different sentiment : he disgusts not his reader with general declamation and unmeaning words , too com- mon in other writers : his sentiments are ...
الصفحة 107
... sentiments and descrip- tions immediately from knowledge ; the resemblance is therefore just , their descriptions are verified by every eye , and their sentiments acknowledged by every breast . Those whom their fame invites to the same ...
... sentiments and descrip- tions immediately from knowledge ; the resemblance is therefore just , their descriptions are verified by every eye , and their sentiments acknowledged by every breast . Those whom their fame invites to the same ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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عبارات ومصطلحات مألوفة
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers