Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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النتائج 1-3 من 67
الصفحة ix
... Tragedy ( 1693 ) repeated with emphasis the views which he had expressed in The Tragedies of the last Age Consider'd and Examin'd by the Practice of the Ancients , and by the Common sense of all Ages ( 1678 ) . He held that the English ...
... Tragedy ( 1693 ) repeated with emphasis the views which he had expressed in The Tragedies of the last Age Consider'd and Examin'd by the Practice of the Ancients , and by the Common sense of all Ages ( 1678 ) . He held that the English ...
الصفحة 85
... tragedies to - day and comedies to - morrow . Tragedy was not in those times a poem of more general dignity or elevation than comedy ; it required only a calamitous conclusion , with which the common criticism of that age was satisfied ...
... tragedies to - day and comedies to - morrow . Tragedy was not in those times a poem of more general dignity or elevation than comedy ; it required only a calamitous conclusion , with which the common criticism of that age was satisfied ...
الصفحة 253
... tragedy is founded , are all prepared for , and will to the retrospect be found implied , in these first four or five lines of the play . They let us know that the trial is but a trick ; and that the grossness of the old king's rage is ...
... tragedy is founded , are all prepared for , and will to the retrospect be found implied , in these first four or five lines of the play . They let us know that the trial is but a trick ; and that the grossness of the old king's rage is ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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عبارات ومصطلحات مألوفة
action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers