Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1968 - 371 من الصفحات |
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الصفحة 71
... writers : his sentiments are adjusted to the peculiar character and circumstances of the speaker ; and the propriety is not less perfect between his sentiments and his diction . That this is no exaggeration , will be evident to every ...
... writers : his sentiments are adjusted to the peculiar character and circumstances of the speaker ; and the propriety is not less perfect between his sentiments and his diction . That this is no exaggeration , will be evident to every ...
الصفحة 82
... writers of barbarous romances invigorated the reader by a giant and a dwarf ; and he that should form his expectations of human affairs from the play , or from the tale , would be equally deceived . Shakespeare has no heroes ; his ...
... writers of barbarous romances invigorated the reader by a giant and a dwarf ; and he that should form his expectations of human affairs from the play , or from the tale , would be equally deceived . Shakespeare has no heroes ; his ...
الصفحة 105
... writers borrow their characters from preceding writers , and diversify them only by the acci- dental appendages of present manners ; the dress is a little varied , but the body is the same . Our authour had both matter and form to ...
... writers borrow their characters from preceding writers , and diversify them only by the acci- dental appendages of present manners ; the dress is a little varied , but the body is the same . Our authour had both matter and form to ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF Newcastle 162474 | 15 |
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action admirable ancient appear audience Beaumont and Fletcher beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English Euripides excellence expressed faculties Falstaff fancy faults feelings genius ghost give Greek Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment Julius Cæsar kind King Landor language Lear Macbeth madness Maurice Morgann mind moral murder nature never observation occasion Othello passion perfect perhaps play poet poetic poetry Polonius praise principles qualities reader reason represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speare's speech spirit stage Tempest thee thing thou thought thro tion tragedy true truth unity Venus and Adonis whilst whole William Shakespear Witches wonderful words writers