Trinity and Incarnation in Anglo-Saxon Art and Thought
Cambridge University Press, 10/04/1997 - 221 من الصفحات
This book is a study of the theology of the Trinity as expressed in the literature and art of the late Anglo-Saxon period. It examines the meaning of the representions of the Trinity in tenth- and eleventh-century English manuscripts and their relationship both to Anglo-Saxon theology and to earlier debates about the legitimacy of representations of the divine. The book's unifying theme is that of the image, and illustrations of many of the images discussed are provided.This book will be of interest to art historians, theologians and literary scholars alike.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
If anyone wishes to be saved
God made visible
Signs and images
God in history
Christ the icon of God
Symbols of the divine
Art prayer and the vision of God
طبعات أخرى - عرض جميع المقتطفات
aefre almighty angels Anglo-Saxon Manuscripts Apoc Arenberg artist ASPR Augustine baet baptism Bede Bethurum Bible Blickling Homilies Bury Psalter canon tables Carolingian CH I.xx Christ Christ's divine Christian Church contemplation creation Creed Crucifixion Crucifixion Iconography death Deshman Deum Deus divine nature drawing Dunstan ealle Elfric Elfwine enthroned eternal Faeder Father Feast Filius glory God the Father God's Godden Godes Godhead Grimbald Gospels Halga halgan heaven Holy Spirit Homeliae human nature Hurst Ibid Incarnation Isaiah John lamb Lapidge late Anglo-Saxon Libri Carolini Lord mandorla Mary Matter and Ripberger Ohlgren Old English Old Testament paet painting Paschasius Pater Pope prayer Psalm quod reference Regularis concordia representations reprod right hand Robert of Jumieges saints says scene sermon St John's Gospel symbols Textual Illustration theme things Thorpe three persons throned figure Tiberius Tiberius Psalter trans Trinity Utrecht Psalter Virgin waes Wisdom Word Wulfstan
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