As You Like itD.C. Heath, 1897 - 182 من الصفحات |
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النتائج 1-5 من 24
الصفحة 9
... bring out the dignity and womanliness of Rosalind , a side of her character to which later actresses have not failed to do justice . In the present century we have the revival by Macready , and the Jaques of Kemble and Hermann Vezin ...
... bring out the dignity and womanliness of Rosalind , a side of her character to which later actresses have not failed to do justice . In the present century we have the revival by Macready , and the Jaques of Kemble and Hermann Vezin ...
الصفحة 20
... bring the lovers together ; the dialogue is not a mere run of repartee beginning and ending in a laugh , but is devoted to the expression of the main theme . And that theme is love . As You Like It is the comedy of happy love , as Romeo ...
... bring the lovers together ; the dialogue is not a mere run of repartee beginning and ending in a laugh , but is devoted to the expression of the main theme . And that theme is love . As You Like It is the comedy of happy love , as Romeo ...
الصفحة 21
... brings out the more fully his consummate success with the The Heroine . heroine . She is a good example of the truth that character and situation cannot be dissociated . Rosalind is created for the situation , and the situation for ...
... brings out the more fully his consummate success with the The Heroine . heroine . She is a good example of the truth that character and situation cannot be dissociated . Rosalind is created for the situation , and the situation for ...
الصفحة 22
... bring into relief by force of contrast . According as they fulfil one or other of these functions , they may be distinguished as ( a ) Preliminaries , ( b ) Background Scenes , and ( c ) Sub - plots . Some of the preliminaries fall ...
... bring into relief by force of contrast . According as they fulfil one or other of these functions , they may be distinguished as ( a ) Preliminaries , ( b ) Background Scenes , and ( c ) Sub - plots . Some of the preliminaries fall ...
الصفحة 23
... bring out the optimist side of that contrast between the country and the court , the natural and the artificial , which is implied throughout the play , and which gives point to the invectives of Jaques and to the humour of Touchstone ...
... bring out the optimist side of that contrast between the country and the court , the natural and the artificial , which is implied throughout the play , and which gives point to the invectives of Jaques and to the humour of Touchstone ...
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عبارات ومصطلحات مألوفة
Adam adjective Aliena Amiens Arden Audrey banished Beau brother Celia characters clown comes common Corin court cousin D. C. HEATH daughter doth dramatic Duke F Duke's English enjambement Enter Euphuism Exeunt eyes fair father Folio fool forest forest of Arden Fortune Ganymede gentle give Glossary hath heart Herford Hero and Leander honour humour Introduction Jaques Kellner ladies live Lodge Lodge's look Lord Love's Labour's Lost lover marry means melancholy Merchant of Venice merry metaphor mistress natural noun novel Oliver Oliver's Orlando Ovid passion Phebe play pray prithee Prosody rhyme Romeo and Juliet Rosader Rosalind Saladin scene sense Shakespeare shepherd Silvius song speak speech sweet syllables thee thing thou art tion Touch Touchstone Touchstone's Twelfth Night verb verse woman word wrestler wrestling youth
مقاطع مشهورة
الصفحة 47 - When service should in my old limbs lie lame And unregarded age in corners thrown : Take that, and He that doth the ravens feed, Yea, providently caters for the sparrow, Be comfort to my age ! Here is the gold ; All this I give you. Let me be your servant : Though I look old, yet I am strong and lusty; For in my youth I never did apply Hot and rebellious liquors in my blood, Nor did not with unbashful forehead woo 50 The means of weakness and debility; Therefore my age is as a lusty winter, Frosty,...
الصفحة 45 - To-day my Lord of Amiens and myself Did steal behind him as he lay along Under an oak whose antique root peeps out Upon the brook that brawls along this wood : To the which place a poor sequester'd stag, That from the hunter's aim had ta'en a hurt, Did come to languish...
الصفحة 44 - The seasons' difference, as the icy fang And churlish chiding of the winter's wind, Which, when it bites and blows upon my body, Even till I shrink with cold, I smile and say ' This is no flattery : these are counsellors 10 That feelingly persuade me what I am.
الصفحة 53 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot; And thereby hangs a tale.
الصفحة 58 - No more but that I know the more one sickens the worse at ease he is ; and that he that wants money, means and content is without three good friends ; that the property of rain is to wet and fire to burn ; that good pasture makes fat sheep, and that a great cause of the night is lack of the sun...
الصفحة 48 - Ay, now am I in Arden ; the more fool I : when I was at home, I was in a better place : but travellers must be content.
الصفحة 47 - Though I look old, yet I am strong and lusty; For in my youth I never did apply Hot and rebellious liquors in my blood, Nor did not with unbashful forehead woo 50 The means of weakness and debility ; Therefore my age is as a lusty winter, Frosty, but kindly: let me go with you; I'll do the service of a younger man In all your business and necessities.
الصفحة 56 - All the world's a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms.
الصفحة 132 - For God's sake let us sit upon the ground And tell sad stories of the death of kings...
الصفحة 56 - With eyes severe and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age shifts Into the lean and...