English composition in prose and verse, based on grammatical synthesis. [With] Key |
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الصفحة
... Book . In Three Parts . Price 2d . , 4d . , and 6d . [ LESSON SHEETS in Large Type from FIRST READING BOOK . Price 1s . 6d . per Set . WOODEN FRAME to exhibit Sheets . Price 1s . 6d . ] Second English Reading Book . Third English ...
... Book . In Three Parts . Price 2d . , 4d . , and 6d . [ LESSON SHEETS in Large Type from FIRST READING BOOK . Price 1s . 6d . per Set . WOODEN FRAME to exhibit Sheets . Price 1s . 6d . ] Second English Reading Book . Third English ...
الصفحة 1
Walter Scott Dalgleish. PREFACE . THIS Book is intended as a sequel to the ordinary Text - Books on English Grammar and Analysis . It takes up the subject where analysis leaves it ; and as its method is synthetical throughout , its ...
Walter Scott Dalgleish. PREFACE . THIS Book is intended as a sequel to the ordinary Text - Books on English Grammar and Analysis . It takes up the subject where analysis leaves it ; and as its method is synthetical throughout , its ...
الصفحة 4
... books as those of Parker and Morell , but generally for a different purpose from theirs . The Exercises on the Synthesis of sentences have been specially prepared from the works of writers of acknowledged excellence ... BOOK I. 4 PREFACE .
... books as those of Parker and Morell , but generally for a different purpose from theirs . The Exercises on the Synthesis of sentences have been specially prepared from the works of writers of acknowledged excellence ... BOOK I. 4 PREFACE .
الصفحة 5
Walter Scott Dalgleish. CONTENTS . PAGK SECTION 1-4 . Introduction , BOOK I. - COMPOSITION IN PROSE . PART I. THE STRUCTURE OF SENTENCES . CHAPTER I. PRELIMINARY DEFINITIONS AND PROCESSES . 5-26 . Principles of Analysis , 27. Fundamental ...
Walter Scott Dalgleish. CONTENTS . PAGK SECTION 1-4 . Introduction , BOOK I. - COMPOSITION IN PROSE . PART I. THE STRUCTURE OF SENTENCES . CHAPTER I. PRELIMINARY DEFINITIONS AND PROCESSES . 5-26 . Principles of Analysis , 27. Fundamental ...
الصفحة 9
... BOOK II - COMPOSITION IN VERSE . CHAPTER I. PRELIMINARY DEFINITIONS AND PROCESSES . 141. Use of Versification , 121 142. Rhythm , 122 143. Measures , or Feet , 122 144. Accent and Interval , 122 145. Simple and Complex Feet , 123 146 ...
... BOOK II - COMPOSITION IN VERSE . CHAPTER I. PRELIMINARY DEFINITIONS AND PROCESSES . 141. Use of Versification , 121 142. Rhythm , 122 143. Measures , or Feet , 122 144. Accent and Interval , 122 145. Simple and Complex Feet , 123 146 ...
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عبارات ومصطلحات مألوفة
2a¹ subs a¹ adv abstract argumentative theme blank verse Book called Chapter character Civil Service Commissioners Class Object clerk complex sentences compound sentence cond contr death Dimeters elements English evil examined example Exercise expressed feelings following sentences genus give Government grammar happiness hath heaven Hexameters Horatius individual objects irregular J. H. BURTON Julius Cæsar kind king la¹ language letter lines Lord Maitland margin master Metonymy mind Narration narrative nation nature noble Note.-A paraphrasing persons perspicuity phrases pleasure predicate Price principal clause prison prose pupil pupil-teachers qualities Queen ragged school reflections regular measure rhyming alternately rules Scheme sense Shakespeare shewed Simple Regular simple sentences species stanza subordinate clauses syllables Synecdoche Tetrameter thee thing Thomas à Becket thou thought tion Tower Trimeter truth verse whole words write a Paragraph Write sentences youth
مقاطع مشهورة
الصفحة 65 - That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
الصفحة 151 - But with a crash like thunder Fell every loosened beam, And like a dam the mighty wreck Lay right athwart the stream: And a long shout of triumph Rose from the walls of Rome, As to the highest turret-tops Was splashed the yellow foam.
الصفحة 65 - tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them. To die: to sleep; No more; and, by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to; 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause.
الصفحة 131 - I held it truth, with him who sings To one clear harp in divers tones, That men may rise on stepping-stones Of their dead selves to higher things.
الصفحة 131 - For the same sound is in my ears Which in those days I heard. Thus fares it still in our decay ; And yet the wiser mind Mourns less for what age takes away Than what it leaves behind.
الصفحة 145 - The lion would not leave her desolate, But with her went along, as a strong guard Of her chaste person, and a faithful mate Of her sad troubles and misfortunes hard ; Still, when she slept, he kept both watch and ward; And, when she waked, he waited diligent, With humble service to her will prepared : From her fair eyes he took commandement, And ever by her looks conceived her intent.
الصفحة 134 - But peaceful was the night Wherein the Prince of Light His reign of peace upon the earth began...
الصفحة 128 - Now came still evening on, and twilight gray Had in her sober livery all things clad ; Silence accompanied ; for beast and bird, They to their grassy couch, these to their nests, Were slunk, all but the wakeful nightingale, She all night long her amorous descant sung...
الصفحة 167 - Sei ruhig, bleibe ruhig, mein Kind! In dürren Blättern säuselt der Wind. »Willst, feiner Knabe, du mit mir gehn? Meine Töchter sollen dich warten schön; Meine Töchter führen den nächtlichen Reihn, Und wiegen und tanzen und singen dich ein.
الصفحة 23 - Tis hard to say, if greater want of skill Appear in writing or in judging ill ; But, of the two, less dangerous is the offence To tire our patience, than mislead our sense. Some few in that, but numbers err in this ; Ten censure wrong for one who writes amiss : A fool might once himself alone expose : Now one in verse makes many more in prose.