English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
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الصفحة 151
... Shakespeare opens a mine which contains gold 780 and diamonds in inexhaustible plenty , though clouded by incrustations , debased by impurities , and mingled with a mass of meaner minerals . It has been much disputed , whether Shakespeare ...
... Shakespeare opens a mine which contains gold 780 and diamonds in inexhaustible plenty , though clouded by incrustations , debased by impurities , and mingled with a mass of meaner minerals . It has been much disputed , whether Shakespeare ...
الصفحة 364
... SHAKESPEARE Johnson's edition of The Plays of Shakespeare appeared in 1765. The present text of the Preface follows that of Walter Raleigh , Johnson on Shakespeare ( 1931 ) , except that spelling has been modernized . Cuts are indicated ...
... SHAKESPEARE Johnson's edition of The Plays of Shakespeare appeared in 1765. The present text of the Preface follows that of Walter Raleigh , Johnson on Shakespeare ( 1931 ) , except that spelling has been modernized . Cuts are indicated ...
الصفحة 366
... Shakespeare and Cato , Voltaire admits that the cold regularity of the latter cannot equal the ' gross but engaging irregularities ' of Shakespeare . 790 Jonson affirms in To the Memory of my beloved , the Author , the poem prefixed to ...
... Shakespeare and Cato , Voltaire admits that the cold regularity of the latter cannot equal the ' gross but engaging irregularities ' of Shakespeare . 790 Jonson affirms in To the Memory of my beloved , the Author , the poem prefixed to ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write