English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
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الصفحة 92
... comedy alone . 1640 And here , having a place so proper for it , I cannot but enlarge somewhat upon this subject of humour into which I am fallen . The ancients had little of it in their comedies ; for the To yeλoîov of the old comedy ...
... comedy alone . 1640 And here , having a place so proper for it , I cannot but enlarge somewhat upon this subject of humour into which I am fallen . The ancients had little of it in their comedies ; for the To yeλoîov of the old comedy ...
الصفحة 138
... comedy ; it required only a calamitous conclusion , with which the common criticism of that age was satisfied , whatever lighter pleasure it afforded in its progress . History was a series of actions , with no other than chrono- logical ...
... comedy ; it required only a calamitous conclusion , with which the common criticism of that age was satisfied , whatever lighter pleasure it afforded in its progress . History was a series of actions , with no other than chrono- logical ...
الصفحة 139
... comedy often surpasses ex- pectation or desire . His comedy pleases by the thoughts and the language , and his tragedy for the greater part by incident and action . His tragedy seems to be skill , his comedy to be instinct . 310 The ...
... comedy often surpasses ex- pectation or desire . His comedy pleases by the thoughts and the language , and his tragedy for the greater part by incident and action . His tragedy seems to be skill , his comedy to be instinct . 310 The ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write