English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 70
الصفحة xiv
... human factor ( and literature is made for human beings , not human beings for literature ) cannot be reduced to the point at which such concord would ensue . And in fact there will pro- bably be much more to disagree with in the work of ...
... human factor ( and literature is made for human beings , not human beings for literature ) cannot be reduced to the point at which such concord would ensue . And in fact there will pro- bably be much more to disagree with in the work of ...
الصفحة 135
... human affairs from the play , or from the tale , would be equally deceived . Shakespeare has no 160 heroes ; his scenes are occupied only by men , who act and speak as the reader thinks that he should himself have spoken or acted on the ...
... human affairs from the play , or from the tale , would be equally deceived . Shakespeare has no 160 heroes ; his scenes are occupied only by men , who act and speak as the reader thinks that he should himself have spoken or acted on the ...
الصفحة 334
... human suffering the aesthete no longer an aesthete . There is no afflatus here , no generous emotionality . The facts , the objects of contemplation , absorb the poet's attention com- pletely ; he has none left for his feelings as such ...
... human suffering the aesthete no longer an aesthete . There is no afflatus here , no generous emotionality . The facts , the objects of contemplation , absorb the poet's attention com- pletely ; he has none left for his feelings as such ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write