English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
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الصفحة 4
... learning is fallen to be the laughing - stock of children , so have I need to bring some more available proofs , since the former is by no man barred of his deserved credit , the silly 40 latter hath had even the names of philosophers ...
... learning is fallen to be the laughing - stock of children , so have I need to bring some more available proofs , since the former is by no man barred of his deserved credit , the silly 40 latter hath had even the names of philosophers ...
الصفحة 33
... learning , as well as poetry , or rather all learning but poetry ; because it were too large a digression to handle , or at least too superfluous , ( since 1190 it is manifest that all government of action is to be gotten by 1195 ...
... learning , as well as poetry , or rather all learning but poetry ; because it were too large a digression to handle , or at least too superfluous , ( since 1190 it is manifest that all government of action is to be gotten by 1195 ...
الصفحة 128
... Learning and Rome alike in empire grew ; And Arts still follow'd where her Eagles flew ; From the same foes , at last , both felt their doom , And the same age saw Learning fall , and Rome . With Tyranny , then Superstition join'd , As ...
... Learning and Rome alike in empire grew ; And Arts still follow'd where her Eagles flew ; From the same foes , at last , both felt their doom , And the same age saw Learning fall , and Rome . With Tyranny , then Superstition join'd , As ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write