English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
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النتائج 1-3 من 65
الصفحة 39
... matter which never was begotten by knowledge . For , there being two principal parts , matter to be expressed by words , and words to express the matter , in neither we use art or imita- 1420 tion rightly . Our matter is quodlibet ...
... matter which never was begotten by knowledge . For , there being two principal parts , matter to be expressed by words , and words to express the matter , in neither we use art or imita- 1420 tion rightly . Our matter is quodlibet ...
الصفحة 270
... matter and substance of the best poetry , is inseparable from the super- iority of diction and movement marking its style and manner . The two superiorities are closely related , and are in steadfast proportion one to the other . So far ...
... matter and substance of the best poetry , is inseparable from the super- iority of diction and movement marking its style and manner . The two superiorities are closely related , and are in steadfast proportion one to the other . So far ...
الصفحة 341
... matter beyond them as poetry surpasses all ... else in subject matter , so should it surpass the rest in its manner of expression . 328 table - talk fashion in casual language . 330 peizing weighing . 333 his ... his its ... its . 334 ...
... matter beyond them as poetry surpasses all ... else in subject matter , so should it surpass the rest in its manner of expression . 328 table - talk fashion in casual language . 330 peizing weighing . 333 his ... his its ... its . 334 ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write