English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 27
الصفحة 61
... perfection , but never acquired any that was new . We draw not therefore after their lines , but those of 450 nature ; and having the life before us , besides the experience of all they knew , it is no wonder if we hit some airs and ...
... perfection , but never acquired any that was new . We draw not therefore after their lines , but those of 450 nature ; and having the life before us , besides the experience of all they knew , it is no wonder if we hit some airs and ...
الصفحة 103
... perfection in it , which they never knew ; and which ( if we may guess by what of theirs we have seen in verse , as The Faithful Shepherdess , and Sad Shepherd ) ' tis probable they never could have reached . For the genius of 2080 ...
... perfection in it , which they never knew ; and which ( if we may guess by what of theirs we have seen in verse , as The Faithful Shepherdess , and Sad Shepherd ) ' tis probable they never could have reached . For the genius of 2080 ...
الصفحة 329
... perfection attained within a limiting aestheticism . Remarkable intelligence and character are implied in that attainment , especially when we consider the starting - point and the surrounding influences : the beginning in ' pleasant ...
... perfection attained within a limiting aestheticism . Remarkable intelligence and character are implied in that attainment , especially when we consider the starting - point and the surrounding influences : the beginning in ' pleasant ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write