English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 81
الصفحة 74
... person of our nation as a fault ; for , he says , they commonly make but one person con- siderable in a play ; they dwell on him , and his concernments , while the rest of the persons are only subservient to set him off . If he intends ...
... person of our nation as a fault ; for , he says , they commonly make but one person con- siderable in a play ; they dwell on him , and his concernments , while the rest of the persons are only subservient to set him off . If he intends ...
الصفحة 83
... persons of a second magnitude , nay , some so very near , so almost equal to the first , that greatness may be opposed to greatness , and all the persons be made considerable , not only by their quality , but their 1305 action . ' Tis ...
... persons of a second magnitude , nay , some so very near , so almost equal to the first , that greatness may be opposed to greatness , and all the persons be made considerable , not only by their quality , but their 1305 action . ' Tis ...
الصفحة 93
... persons , was the peculiar genius and talent of Ben Jonson ; to whose play I now return . ' Besides Morose , there are at least nine or ten different characters and humours in The Silent Woman ; all which persons have several ...
... persons , was the peculiar genius and talent of Ben Jonson ; to whose play I now return . ' Besides Morose , there are at least nine or ten different characters and humours in The Silent Woman ; all which persons have several ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write