English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
من داخل الكتاب
النتائج 1-3 من 79
الصفحة 193
... POEM ; and secondly , of POETRY itself , in kind , and in essence . The office of philosophical disquisition consists in just distinc- tion ; while it is the privilege of the philosopher to preserve himself constantly aware , that ...
... POEM ; and secondly , of POETRY itself , in kind , and in essence . The office of philosophical disquisition consists in just distinc- tion ; while it is the privilege of the philosopher to preserve himself constantly aware , that ...
الصفحة 194
... poem is that species 160 of composition , which is opposed to works of science , by pro- posing for its immediate object pleasure , not truth ; and from all other species ( having this object in common with it ) it is dis- criminated by ...
... poem is that species 160 of composition , which is opposed to works of science , by pro- posing for its immediate object pleasure , not truth ; and from all other species ( having this object in common with it ) it is dis- criminated by ...
الصفحة 195
... poem , on the one hand , to a series of striking lines or distiches , each of which , absorbing the whole attention of the reader to itself , disjoins it from its context , and makes it a separate whole , instead of a harmoniz- 185 ing ...
... poem , on the one hand , to a series of striking lines or distiches , each of which , absorbing the whole attention of the reader to itself , disjoins it from its context , and makes it a separate whole , instead of a harmoniz- 185 ing ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write