English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
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الصفحة 168
... prose , but likewise that some of the most interesting parts of the best poems will be found to be strictly the language of prose when prose is well written . The truth of this assertion might be demonstrated by innumerable passages ...
... prose , but likewise that some of the most interesting parts of the best poems will be found to be strictly the language of prose when prose is well written . The truth of this assertion might be demonstrated by innumerable passages ...
الصفحة 169
... prose . 280 By the foregoing quotation it has been shown that the language of Prose may yet be well adapted to Poetry ; and it was previously asserted , that a large portion of the language of every good poem can in no respect differ ...
... prose . 280 By the foregoing quotation it has been shown that the language of Prose may yet be well adapted to Poetry ; and it was previously asserted , that a large portion of the language of every good poem can in no respect differ ...
الصفحة 278
... prose was a necessity ; but it was impossible that a fit prose should establish itself amongst us without some touch of frost to the imaginative life of the soul . 660 The needful qualities for a fit prose are regularity , uniformity ...
... prose was a necessity ; but it was impossible that a fit prose should establish itself amongst us without some touch of frost to the imaginative life of the soul . 660 The needful qualities for a fit prose are regularity , uniformity ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write