English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
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الصفحة vii
... rules , we could play the game ourselves : every man his own artist : you too can be a Shakespeare . For the creative artist is not precisely the man who breaks the rules but the man who makes new rules necessary : the man who ...
... rules , we could play the game ourselves : every man his own artist : you too can be a Shakespeare . For the creative artist is not precisely the man who breaks the rules but the man who makes new rules necessary : the man who ...
الصفحة 114
... rules as strict his labour'd work confine , As if the Stagirite o'erlook'd each line . Learn hence for ancient rules a just esteem ; To copy nature is to copy them . Some beauties yet no Precepts can declare , For there's a happiness as ...
... rules as strict his labour'd work confine , As if the Stagirite o'erlook'd each line . Learn hence for ancient rules a just esteem ; To copy nature is to copy them . Some beauties yet no Precepts can declare , For there's a happiness as ...
الصفحة 147
... rules merely positive , 630 become the comprehensive genius of Shakespeare , and such censures are suitable to the minute and slender criticism of Voltaire : Non usque adeo permiscuit imis Longus summa dies , ut non , si voce Metelli ...
... rules merely positive , 630 become the comprehensive genius of Shakespeare , and such censures are suitable to the minute and slender criticism of Voltaire : Non usque adeo permiscuit imis Longus summa dies , ut non , si voce Metelli ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write