English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
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الصفحة
... stage. We live henceforth in a purely spiritual world. Those accustomed to confine themselves to the senses will be tempted to believe that this world is pale and colourless, but such is far from being the case. Neither is there ...
... stage. We live henceforth in a purely spiritual world. Those accustomed to confine themselves to the senses will be tempted to believe that this world is pale and colourless, but such is far from being the case. Neither is there ...
الصفحة 16
... stage fluctuation . Well 2-12 ( fig . 7 ) is the most distant well from the river ( 4.37 miles ) and showed the least response to pool - stage fluctuations . The ground - water level steadily rose in this well but does not seem to have ...
... stage fluctuation . Well 2-12 ( fig . 7 ) is the most distant well from the river ( 4.37 miles ) and showed the least response to pool - stage fluctuations . The ground - water level steadily rose in this well but does not seem to have ...
الصفحة 117
... stage III, the growing rate of structure parameters, R., and L, slows down. As suggested by Binder and Stauffer (11), the phase separation process may be affected by dislocations or other imperfections, by elastic strain field or by ...
... stage III, the growing rate of structure parameters, R., and L, slows down. As suggested by Binder and Stauffer (11), the phase separation process may be affected by dislocations or other imperfections, by elastic strain field or by ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write