English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
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الصفحة 105
... thought ; but this hinders not that sudden thought may be represented in verse , since those thoughts are such as must be higher than nature can raise them without premeditation , especially to a continuance of them , even out of verse ...
... thought ; but this hinders not that sudden thought may be represented in verse , since those thoughts are such as must be higher than nature can raise them without premeditation , especially to a continuance of them , even out of verse ...
الصفحة 318
... thought is fanciful or superficial — the man being as immortal as the bird , ' etc. That the thought is fallaci- ous witnesses , of course , to the intensity of the wish that fathered 235 it . Keats entertains at one and the same time ...
... thought is fanciful or superficial — the man being as immortal as the bird , ' etc. That the thought is fallaci- ous witnesses , of course , to the intensity of the wish that fathered 235 it . Keats entertains at one and the same time ...
الصفحة 394
... thought than the mere words at first suggest , but rather that on careful consideration it sinks in his esteem , then it cannot really be the true sublime , if its effect does not outlast the moment of utterance . For what is truly ...
... thought than the mere words at first suggest , but rather that on careful consideration it sinks in his esteem , then it cannot really be the true sublime , if its effect does not outlast the moment of utterance . For what is truly ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write