English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 من الصفحات |
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الصفحة 180
... tion , kindred to that which was before the subject of contempla- tion , is gradually produced , and does itself actually exist in the 700 mind . In this mood successful composition generally begins , and in a mood similar to this it is ...
... tion , kindred to that which was before the subject of contempla- tion , is gradually produced , and does itself actually exist in the 700 mind . In this mood successful composition generally begins , and in a mood similar to this it is ...
الصفحة 185
... tion whatsoever . A language was thus insensibly produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of ...
... tion whatsoever . A language was thus insensibly produced , 895 differing materially from the real language of men in any situa- tion . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of ...
الصفحة 193
... tion ; while it is the privilege of the philosopher to preserve himself constantly aware , that distinction is not division . In order to obtain adequate notions of any truth , we must intel- 110 lectually separate its distinguishable ...
... tion ; while it is the privilege of the philosopher to preserve himself constantly aware , that distinction is not division . In order to obtain adequate notions of any truth , we must intel- 110 lectually separate its distinguishable ...
المحتوى
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write