Barbarous Dissonance and Images of Voice in Milton's EpicsMcGill-Queen's Press - MQUP, 27/08/1996 - 224 من الصفحات Sauer investigates the texts' discursive practices and the politics of their orchestration of voice exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours. |
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النتائج 1-5 من 44
الصفحة 5
... speech of the novel and establishes a formal rather than social relationship between the speaker and both the characters and readers ( Ferry 180 ) ; cut off by his blindness " from the chearful waies of men , " the omniscient voice ...
... speech of the novel and establishes a formal rather than social relationship between the speaker and both the characters and readers ( Ferry 180 ) ; cut off by his blindness " from the chearful waies of men , " the omniscient voice ...
الصفحة 6
... speech . Goldberg ex- plains that the text renders the author speechless and provides him with a voice in the " now " that defines his place in history and in lit- erary history ( 124–5 ) . The loss of voice and the anonymity of the ...
... speech . Goldberg ex- plains that the text renders the author speechless and provides him with a voice in the " now " that defines his place in history and in lit- erary history ( 124–5 ) . The loss of voice and the anonymity of the ...
الصفحة 7
... speech from writing . With the privilege granted to speech in the theory of Ferdinand de Saussure , voice becomes an image of truth and authenticity , a source of self - present living speech that offers the possibility for transparent ...
... speech from writing . With the privilege granted to speech in the theory of Ferdinand de Saussure , voice becomes an image of truth and authenticity , a source of self - present living speech that offers the possibility for transparent ...
الصفحة 11
... speeches and verbal contests be- tween two of the poem's authoritative voices . Despite the apparent opposition between Satan and the inspired narrator , Paradise Lost in fact is sustained by primal ambivalence , kairos , or " image of ...
... speeches and verbal contests be- tween two of the poem's authoritative voices . Despite the apparent opposition between Satan and the inspired narrator , Paradise Lost in fact is sustained by primal ambivalence , kairos , or " image of ...
الصفحة 27
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المحتوى
3 | |
14 | |
2 Critical Interventions | 35 |
The Sad Task of Raphael Satan and the PoetNarrator | 62 |
4 The Gendered Hierarchy of Discourse | 87 |
Colonialism and Censorship in Paradise | 111 |
6 The Voices of Nebuchadnezzar in Paradise Regained | 136 |
Conclusion | 160 |
Notes | 163 |
Works Cited | 191 |
Index | 209 |
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عبارات ومصطلحات مألوفة
Adam and Eve Adam's argues authority biblical book 12 book 9 censorship challenged chap chapter characterized characters Christopher Hill classical commonwealth confusion confusion of tongues construction contemporary context conversation created creation account creation story critical cultural debate describes devils dialogue discourse dissonance divine dominant earth Eikonoklastes epic Eve's fall feminized gender Genesis story heaven hierarchical human identified identity interpretation John Milton king kingship language linguistic literary Michael Milton monarchy multiple multivocal narcissism narrative narrator nature Nebuchadnezzar Nimrod offers pamphlet Paradise Lost Paradise Regained paradoxical poem poem's poet poet-narrator poet-narrator's poetic political postlapsarian prophecy prophetic Prose Raphael reader reading reemplotment relationship Renaissance resists response Restoration reveals rhetoric role royalist Rump Satan scene seventeenth seventeenth-century Sin's social soliloquy Son's speakers speech T.S. Eliot temptation thee thereby thir thou tion tive tongues tower of Babel tragic truth tyranny verbal verse words