Japanese Studies in Shakespeare and His ContemporariesYoshiko Kawachi University of Delaware Press, 1998 - 219 من الصفحات Since Shakespeare was introduced to Japan in the middle of the nineteenth century, his works have been translated into Japanese, read and performed, and adapted for the Japanese stage and film. This book assesses Shakespeare's and other English Renaissance dramatists' reception. |
من داخل الكتاب
النتائج 1-3 من 37
الصفحة 180
Yoshiko Kawachi. The Primacy of the Sense of the Body over the Sense of the Line : David Garrick's Acting of Shakespeare MANABU NODA Introduction SIMON McBurney , the artistic director of a British theater com- pany named Theatre de ...
Yoshiko Kawachi. The Primacy of the Sense of the Body over the Sense of the Line : David Garrick's Acting of Shakespeare MANABU NODA Introduction SIMON McBurney , the artistic director of a British theater com- pany named Theatre de ...
الصفحة 182
... sense that they physically shared the sense of McBurney's " here and now " which the character played by Gar- rick was undergoing . The Sense of the Present Meeting the Sense of Physical Presence McBurney's talk helps clarify the two ...
... sense that they physically shared the sense of McBurney's " here and now " which the character played by Gar- rick was undergoing . The Sense of the Present Meeting the Sense of Physical Presence McBurney's talk helps clarify the two ...
الصفحة 184
... sense of the line is so violated , the immediate sense of the body prevails . The thrill and sensation that this eternal present causes enable the actor and the audience to share a strong sense of the present . The present is singled ...
... sense of the line is so violated , the immediate sense of the body prevails . The thrill and sensation that this eternal present causes enable the actor and the audience to share a strong sense of the present . The present is singled ...
المحتوى
Preface | 7 |
The Merchant of Venice and Japanese Culture | 46 |
Money and Sexuality in Measure for Measure | 70 |
حقوق النشر | |
8 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
actor adaptation Angelo Aoki audience authority Autolycus Bassanio Beaumont and Fletcher body Caliban Cambridge Canibals Carib character's Clarendon Claudio coin cultural David Garrick desire devil discourse disguise dominant ideologies dramatic dramaturgy Duke Duke's figure economic Elizabeth Cary Elizabethan entrance entry stage direction essay European facade Faustus female Garrick Gohei grotesque body Hamlet Harrowing of Hell hell Hermione Herod human individual instances Isabella Japan Japanese John Johnson Kabuki King Lady Lady Mary Wroth language Leontes lines London Love's Victory Macbeth male man-eater Mary Wroth Merchant of Venice mettle/metal Musella native nature Oxford passions Philisses Polixenes Portia Prospero's Queen representation role romantic critics says scene sense sexual reproduction Shake Shakespeare Shakespeare's plays Shylock Sicilia speech subjects T. E. Hulme Tamaei Tempest theater theatrical tion Tragedy of Mariam translation University Press Urania vols woman women words writing