Classics and Trash: Traditions and Taboos in High Literature and Popular Modern GenresHarvester Wheatsheaf, 1990 - 219 من الصفحات This work questions the distinction between "high" literature and "popular" culture and draws attention to a disconcerting level of similarity between the two, finding parallels between Hollywood and Shakespeare and common elements in Lloyd Webber, Spielberg and Emily Bronte. |
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النتائج 1-3 من 31
الصفحة 6
... serve to illustrate , Tom Wolfe's novel itself clearly exemplifies the continuing process of cross - fertilisation between the highest of ' high art ' and popular genres.1 For that matter , there is no knowing how many works , from ...
... serve to illustrate , Tom Wolfe's novel itself clearly exemplifies the continuing process of cross - fertilisation between the highest of ' high art ' and popular genres.1 For that matter , there is no knowing how many works , from ...
الصفحة 79
... serving others - her elders , her betters , her husband , her children . Thus , in Andersen's fable even a little girl's desire to wear a pair of pretty red dancing shoes ( which causes her selfish failure to serve her benefactress ) is ...
... serving others - her elders , her betters , her husband , her children . Thus , in Andersen's fable even a little girl's desire to wear a pair of pretty red dancing shoes ( which causes her selfish failure to serve her benefactress ) is ...
الصفحة 171
... serve any number of differing purposes . Burke's general categories of needs and purposes are ' consolation , vengeance , admonition , exhortation , and foretelling ' . And of all the lines in Shakespeare , Shylock's great speech about ...
... serve any number of differing purposes . Burke's general categories of needs and purposes are ' consolation , vengeance , admonition , exhortation , and foretelling ' . And of all the lines in Shakespeare , Shylock's great speech about ...
المحتوى
High literature and popular genres | 3 |
The unAmerican villain and the allAmerican mans man | 13 |
What do women really want? The ladies man and | 28 |
حقوق النشر | |
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Alcharisi alike American Angel arguments artistic asks attractive audience beautiful better characters Christine classic comparable contrast course critical dance death described desire dreams fact father feel female film finally forces genres George girl give given Gone hand heart Heathcliff hero heroine historical husband identical imagination instance interesting kind King less likewise lines literature live look male marriage marry matter mind mother movie Music nature never novel observed obvious once Opera original Othello perhaps Phantom play points popular portrayal portrayed questions reason Rebecca Red Shoes romantic Scarlett seems serve sexual Shakespeare sing social soul stage Star story subsequently success Svengali talent tells thing thou tradition Trilby true turn ultimate various Verena virtually voice wanted wife woman women young