Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... Madhyamika arose and developed as a deconstructive philosophy . This exercise of double negation is the very raison d'être of the existence of Mādhyamika Buddhism and thus abounds in various Madhyamika texts . In " The Emptiness of the ...
... Mādhyamika Buddhism from other philosophical systems is self - evident in the very name for which the Madhyamika deconstruction is best known — catuṣkoți , commonly rendered as tetralemma or the four - cornered method of argument . Like ...
... Madhyamika , between the neo - Daoist and Mādhyamika philosophies , in light of their de- constructive goals . In presenting the response to Madhyamika and Zen Buddhism by the three contemporary cognitive scientists , I intend not to ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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