Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... called spirit . Ghosts and spirits are the spirits of mountains and rivers . They can bring up clouds and call down ... called spirit ; the spirit of humans is called ghost . It is also said that the fine ether of a sage is called spirit ...
... called zheyu ( words of negation ) and a deconstructive presentation of the ultimate reality like Seng Zhao's is called zhequan ( presentation by means of negation ) by the Chan Buddhists of later times . 22 In Seng Zhao's passage , of ...
... called the polemics of similitude , which appropriates Chinese indigenous ideas and values by forcing them into Western conceptual categories . This is certainly the way Peerenboom reads the review . For him , the review goes beyond ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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