Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... century critics usually treat the four coordi- nates as static constants and focus on one of them as a center of refer- ence point . In contrast , many twentieth - century critics go beyond this convention and regard the dynamic ...
... century B.C. to the ninth century B.C. The Bronze Script ( jinwen ↑ X ) is the form of writing engraved on bronze vessels or stone drums and widely used from the ninth century B.C. to the third century B.C. The Small Seal Script ...
... Century ( I ) , " Quarterly Bulletin of Chinese Bibliogra- phy 1 , no . 4 ( 1940 ) : 351-384 ; “ China in the English Literature of the Eigh- teenth Century ( I ) , ” Quarterly Bulletin of Chinese Bibliography 2 , nos . 1–2 ( 1941 ) : 7 ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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