Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... give his reply : Zeng Xi , what about you ? The notes of the zithern he was softly fingering died away ; he put it down , rose and replied saying , I fear my words will not be so well cho- sen as those of the other three . The Master ...
... gives rise to all the wrongheaded pur- suits of the phantom of a self - present truth in Western ontotheologies . Derrida holds ... give them better memories ; it is a specific both for the memory and for the wit . Thamus replied : O 212 ...
... gives erroneous information instead of con- fessing his ignorance is motivated by reluctance to disappoint ; this mo- tive often makes him give an answer which he considers agreeable to the questioner . In such cases and many others the ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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