Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... ideas . If this is so , does this mean that the ideas of the sages can- not be discerned ? ” The Master said : “ The sages established images in order to express their ideas exhaustively . They established the hexagrams in order to ...
... ideas of Locke , Hartley , and others to explain the complex processes of recollection and reflection . Moreover , he avails himself of Longinian doctrines to illu- minate the aesthetic pleasure of composition . Of all these ideas ...
... ideas in The Act of Interpretation : A Critique of Lit- erary Reason ( Chicago : Univ . of Chicago Press , 1978 ) ... ideas . The ' Forms ' had for him , as the ' Ideas ' had Plato , a meta- physical existence of their own , as ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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