Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... image " ( xiang ) : " When the eight trigrams formed ranks , the basic images were present there within them " / \ # , > • .72 As Willard Peterson rightly points out , the word " Image " used in the " Great Commentary " " connotes resem ...
... Images . ' As these take physical shapes , we may say that they are concrete things ”見乃謂象。形乃謂之器.78 To the authors , it is not a single Image , but multiple Images in their haphazard , irregular , or illogical relation to each ...
... Images , ” and “ at- tached phrases " ) , but set forth their inherent hierarchical relationship : The Master said : " Writing does not exhaust words , and words do not exhaust ideas . If this is so , does this mean that the ideas of ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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