Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... mind . For Wordsworth this development begins with the " unconscious " feelings of childhood and culminates in the poetic or philosophical mind . Yet , the final stage is not cut off from the emotions which started the de- velopment on ...
... Mind ( Xinwu zong ) led by Zhi Mindu ( fl . 326 ) for its reification of the mind as " Nonexistence " : The Nonexistence of the Mind [ School ] turns the mind into " non- existence " in the face of the myriad phenomena , but the myriad ...
... Mind , see Hayashida Shin- nosuke 林田慎元助, Chugoku chōseibungaku kyoronshi 中國中世文( A History of Literary Criticism in Medieval China ) ( Tokyo : Sobunsha , 1979 ) , pp . 329–335 ; Ma Bai , “ Cong fangfalun kan Zhou yi dui Wenxin ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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