Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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النتائج 1-3 من 29
... present langue , the semi- otic truth , as the structuralists would have us believe . On the contrary , it precludes any possibility of a self - present truth in language — be it langue or any other truth - claims ( eidos , God , Matter ...
... present in nature and life and that are po- tentially active in the affairs of man . " 9 In a remark from the " Great Commentary " ( " Da zhuan ” ☆ ) or the " Commentary on the Ap- pended Phrases " ( " Xici zhuan " # 14 ) , one of the ...
... present truth of Being valorized by all Western ontologists and theologians : One cannot get round that responses [ what is Sign in the sense of Be- ing ] , except by challenging the very form of the question and begin- ning to think ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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