Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... reader's response , he offers some illuminating comments on the phenomenological implications of reading : CC And so I ought not to hesitate to recognize that so long as it is animated by this vital inbreathing inspired by the act of ...
... reader unacquainted with it cannot gather from that the degree to which René Wellek's book relies on my arguments . " " 40 In any case , there is some resemblance between Ingarden's gestalt and Wellek and Warren's paradigm as both ...
... readers . As such it is not a psycho- logical phenomenon and is transcendent to all experiences of conscious- ness , those of the author as well as those of the reader . " 38. Falk , Poetics of Roman Ingarden , p . 115. Cf. Roman ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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